Download Bernhard ModerStylen EF Family Style
Download Bernhard ModerStylen EF Font Family
family of 4 fonts from Elsner+Flake
family of 4 fonts from Elsner+Flake
family of 10 fonts from Bitstream
Bernhard Modern was designed in 1937 by Lucian Bernhard for ATF. It is his personal version of the small x-height engravers old styles popular at the time. A perennial best-seller, Bernhard Modern remains popular in a wide variety of design and typesetting uses more that 60 years after its initial release. Bitstreams version offers a wide array of typographer sets, including alternates, extensions, small caps and italic swashes.
family of 10 fonts from Bitstream
Bernhard Modern was designed in 1937 by Lucian Bernhard for ATF. It is his personal version of the small x-height engravers old styles popular at the time. A perennial best-seller, Bernhard Modern remains popular in a wide variety of design and typesetting uses more that 60 years after its initial release. Bitstreams version offers a wide array of typographer sets, including alternates, extensions, small caps and italic swashes.
This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator’s poster work.
Lucian Bernhard’s lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide.
It has a unique personality. More…
This deluxe version is packed with extras including the original oldstyle figures, alternates, and ligatures. A number of styles and alternate characters have been added to the family such as heavy italics, extra heavy italics, and capital figures.
And an easier-to-identify “flagged” figure one and the new euro symbol are now located in each individual style.
Bernhard Gothic is also available in the OpenType Std format.
Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7.
Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator’s poster work.
Lucian Bernhard’s lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide.
It has a unique personality. More…
This deluxe version is packed with extras including the original oldstyle figures, alternates, and ligatures. A number of styles and alternate characters have been added to the family such as heavy italics, extra heavy italics, and capital figures.
And an easier-to-identify “flagged” figure one and the new euro symbol are now located in each individual style.
Bernhard Gothic is also available in the OpenType Std format.
Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7.
Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
family of 1 font from Mecanorma Collection
This is an American face designed by Lucian Bernhard for ATF in 1929. An extra light face with tall ascenders and stylized bars that extend off to the left. The lower-case sits on the baseline and the much taller then normal capitals have an imaginary baseline that sits about two-thirds of the distance from the real baseline to the bottom of the EM.
This is an American face designed by Lucian Bernhard for ATF in 1929. An extra light face with tall ascenders and stylized bars that extend off to the left. The lower-case sits on the baseline and the much taller then normal capitals have an imaginary baseline that sits about two-thirds of the distance from the real baseline to the bottom of the EM.
family of 1 font from Elsner+Flake
This extremely heavy informal script was created in the early 1920s by Lucian Bernhard. Like so many of his designs, this typeface has its roots in his earlier poster work. Bernhard Brushscript invokes a rather warm, pleasant feeling despite a number of quirky characters.
Originally created for the Bauer Foundry of Frankfurt, Germany, the face looks as though its been drawn with a brush and contains looping ascenders and descenders. Perfect for situations where a quaint and casual lettering effect is desired.
More…
The Bernhard Brushscript is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7.
Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
This extremely heavy informal script was created in the early 1920s by Lucian Bernhard. Like so many of his designs, this typeface has its roots in his earlier poster work. Bernhard Brushscript invokes a rather warm, pleasant feeling despite a number of quirky characters.
Originally created for the Bauer Foundry of Frankfurt, Germany, the face looks as though its been drawn with a brush and contains looping ascenders and descenders. Perfect for situations where a quaint and casual lettering effect is desired.
More…
The Bernhard Brushscript is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7.
Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.
family of 3 fonts from Elsner+Flake
These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a fanciful geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Berlinette is the medieval Gutenbergian version of the four. Its like a weird black letter font from the 1930s. It would work well advertising an obscure brand of German beer on the side of a Zeppelin as it circles the soccer stadium during the last match. In a William Burroughs novel.
These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a fanciful geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Berlinette is the medieval Gutenbergian version of the four. Its like a weird black letter font from the 1930s. It would work well advertising an obscure brand of German beer on the side of a Zeppelin as it circles the soccer stadium during the last match. In a William Burroughs novel.
Designed with a flat brush and inspired by the modern fraktur from Rudolf Koch, Berliner Fraktur is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy.
The font contains some interesting alternates and ligatures that make this type more real.
The aim was to create a font that doesn't look like a font.
Designed with a flat brush and inspired by the modern fraktur from Rudolf Koch, Berliner Fraktur is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy.
The font contains some interesting alternates and ligatures that make this type more real.
The aim was to create a font that doesn't look like a font.
Berlin Sans is based on a brilliant alphabet from the late twenties, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed.
Assisted by Matthew Butterick, David Berlow expanded this single font into a series of four weights, all complete with expert character sets, plus a dingbat font.
Imaginative and little-known, it promises enticing opportunities to the imaginative typographer. More…
Among other uses, Berlin Sans is recommended for Magazine use.
Berlin Sans is based on a brilliant alphabet from the late twenties, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed.
Assisted by Matthew Butterick, David Berlow expanded this single font into a series of four weights, all complete with expert character sets, plus a dingbat font.
Imaginative and little-known, it promises enticing opportunities to the imaginative typographer. More…
Among other uses, Berlin Sans is recommended for Magazine use.
This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle.
This an attempt at a readable sans serif for text.
It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.
This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle.
This an attempt at a readable sans serif for text.
It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.
family of 4 fonts from Hackberry
This is a display version of a stylized sans serif font family that is very high-waisted and sleek called Bergsland Fashion.